A Concert at St John's Waterloo

The Messiah at St Alfege Greenwich

An essential part of Christmas for me is to go to a performance of The Messiah. I went to a wonderful production - performed by the Thomas Tallis Society Choir and Orchestra in the

terrific surroundings of St Alfege Church in Greenwich. Andrew Radley as Countertenor was superb and the close confines of this eighteenth century setting with its galleries and pews allowed the chorus to really project the full force of Handel's wonderful work. Sometimes a counter tenor isn't successful - it can seem forced but Andrew's voice was natural and ethereal. I have to mention the baritone (another voice not so regularly heard) Robert Davies. He managed to add the required degree of gravitas and emotion to the arias.

The Proms - Number 66

The Proms - Number 53

The Proms - Number 35

The programme was Elgar's In The South; Vaughan Williams' Piano Concerto; and Rimsky-Korsakov's Sheherazade, performed by the BBC Philharmonic under the baton of Vassily

Sinaisky. This is a very competent, if unexciting orchestra and I didn't find that the conducting was particularly inspiring, but both the Elgar and the Rimsky-Korsakov is so uplifting that the music just shines through. I'm sure pianist Ashley Wass did a grand job with theVaughan Williams, but I'm not surprised this is not a regularly performed piece. There is always a difficulty with modern music - the romantics had it right - melodies and soaring notes, but in the twentieth century composers tended towards virtuosity - and that alone is not enough. Rating overall: 6/10

The Proms - Number 16

The first of the Proms series of concerts I'd been to in years - the Royal Albert Hall was packed for this collection of popular classics - the first half British, the second German. The Halle Orchestra under the baton of Mark Elder were on good form beginning with a rare performance of Butterworth's orchestral rhapsody A Shropshire Lad. The work was introduced and ended with the poem by A E Housman that inspired this work by a composer who died in the First World War. Vaughan Williams' Eighth Symphony is full of soaring strings and bears all the trademarks of this craftsman of twentieth century music. Janine Jansen the Dutch violinist was excellent as the soloist in Bruch's Violin Concerto No 1. I know this is ever so romantic and regularly appears at the top of 'favourite music' charts - but there is a reason for that - it has the ability to move and push all the emotional buttons, especially when performed by a violinist of Ms Jansen's calibre - I feel the tears welling up at a particular point in the first movement when the strings are rushing headlong higher and higher, with the soloist soaring alongside and above them. The performance culminated with Richard Strauss' quirky Till Eulenspiegel - performed with excellent good humour by this first rate orchestra. The only drawback to the evening was the Royal Albert Hall's notorious echo - which detracted from the reading of Housman's poem using radio mikes. Concert rating: 8/10

A Choral Pilgrimage - The Sixteen

A concert of Tudor music performed at the glorious Old Naval Chapel at Greenwich, designed by Wren, next to the banks of the River Thames. An appropriate setting for this performance by a choir known as the 16. The programme consisted of pieces of religious music from the time of the Reformation in England, so some in Latin, others in English according to the time of composition, and which monarch was on the throne. The choir is excellent, technically, but rather like the Chapel the music was too formal, too plain, and to my ears too unemotional. It doesn't move me. Each group of voices piles layers of song one upon the other giving me the feeling of being wrapped in successive levels of woolly blankets, comfortable but not really exciting or pleasurable. The singing is superb and admirable I'm sure, but not really for me. Rating 6/10